La Grande Bellezza fountain pen - Grey Hematite - Pineider
A resin pen and marble powder in gem-inspired colours. The attributes are palladium marine steel. The articulated clip is inspired by the goose feather. The ring of the hood represents the main historical monuments of Florentine. Its cap is equipped with the patented "twist magnetic clock" closure system with a rotating aperture mechanism.
Closed length: 14 cm
Open length with hood: 16.2 cm
Diameter: 1.28 cm
Weight with cap: 38g
Weight without cap: 23g
Feather: EF, F, M, B or STUB 1.3
refillable: yes
Filling: standard cartridge or converter
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A resin pen and marble powder in gem-inspired colours. The attributes are palladium marine steel. The articulated clip is inspired by the goose feather. The ring of the hood represents the main historical monuments of Florentine. Its cap is equipped with the patented "twist magnetic clock" closure system with a rotating aperture mechanism.
The La Grande Bellezza Gemston fountain pen is available in 6 colours: Black Stone, Lapis Blue, Rodolite Red, Tiger's Yellow, Hematite Grey, Malachite Green.
The "quill" pen in 14-carat hyperflex gold is available in five sizes: extra-fine, fine, medium, broard, stub 1.3.
Each pen comes in a very nice case.
Also available in roller skates and marbles.
Closed length: 14 cm
Open length with hood: 16.2 cm
Diameter: 1.28 cm
Weight with cap: 38g
Weight without cap: 23g
Feather: EF, F, M, B or STUB 1.3
refillable: yes
Filling: standard cartridge or converter
- From
- Italy
- refillable
- YES
- Diameter
- 1.3cm
- Refill type
- International Standard 38mm
Pineider Since 1774, Pineider has distinguished itself by the excellence of its handcrafted products: paper, writing instruments and leather goods.
Craftsmanship, tradition and design are the historical values that make Pineider an exclusive brand worldwide.
THE BEGINNING OF WHAT WOULD BECOME A SUCCESS - 1774
The strength of a personal affirmation stands behind these four numbers. One Seven Seven Four. The year 1774 marks the beginning of what would become a success, but was then just a small manufacturing enterprise. It was a year of ambition for Francesco Pineider, the entrepreneur who carried all the vigor of his native Val Gardena – in his last name as much as in his soul – and merged it with Florence’s cultural grace. In the Tuscan city, Pineider opened his first workshop in Piazza della Signoria: a clear challenge to the beauty of Michelangelo’s David, which he observed from the window everyday.
Because Pineider was a sculptor too: he shaped characters’ elegance, chiseled reliefs by hand, incessantly refined his printing techniques by reproducing buildings and monuments in the most beautiful cities in Europe.